Karole Foreman*

Karole Foreman Theatre: Follies (Craig Noel Nomination), A Little Night Music (Craig Noel Nomination), Stupid F’ing Bird (Cygnet Theatre); 1st Broadway National Tour, 1776; Murder on the Orient Express (Old Globe Theatre); Lady Day at Emerson’s Bar & Grill (Ovation Award) National Black Theatre Festival, freeFall Theatre, Ebony Rep, International City Theater, PCPA; A Few Good Men (La Mirada); Blues in the Night (ICT/ Ebony Rep/NC Rep); Porgy and Bess, Sweeney Todd, Intimate Apparel (Ensemble Theatre Company); Mamma Mia! (Vegas Premiere); Caroline or Change, Fences, (PCPA); Next to Normal (Cal Rep-OC Weekly Award); Wedding Band (Antaeus-Stage Raw Nomination); Parade, Jelly’s Last Jam (Mark Taper/Alliance-Suzi Bass Award); Minamata, The Illusion, The Crucible, 10 November (L.A.T.C.); Good Body, Merchant of Venice, King Lear, Crowns, Cabaret, Whole World is Watching (San Diego Rep). Member L.A. Women’s Shakespeare Company, two seasons at Oregon Shakespeare Festival, and numerous regional theatres. Television: Days of Our Lives, Dahmer, The Conners, Magnum PI, The Resident, Broke, Good Trouble, Rebel, Black Lady Sketch Show, N.C.I.S., Crazy Ex-Girlfriend, I’m Sorry, Brooklyn 9-9, G.L.O.W., How to Get Away with Murder, Young & the Restless, Bold & the Beautiful, Stitchers. Film: The American, The Banality, I’ll Be Next Door for Christmas, Rebirth, Buddy Solitaire, 42: The Jackie Robinson Story www.karoleforeman.com Shorts/Independent: Light Bunny, For the Record, Something About Mother Member Actor’s Equity, SAG-AFTRA, and The Dramatists Guild. www.karoleforeman.com